Arader Galleries exhibits a Significant Oil Painting by Robert S. Duncanson
On Thursday evening,
September 13, 2012 Independent Curator Joseph Ketnar gave a talk at Columbia’s
Miriam and Ira D. Wallach Fine Arts Center about the life, career and works of
Robert S. Duncanson, a mulatto artist living primarily in Ohio in the early 19th
century. According to Ketnar, “he earned a reputation as the most important
regional landscape painter of the Ohio Valley, and received critical attention
in the United States, Canada, and England.”
Among the 27 works exhibited
by the artist, Arader Galleries lent the most prominent, large-scale oil
painting by Duncanson that Ketnar had admittedly never seen in all his years as
the leading Duncanson scholar.
Below is a timeline
documenting key events throughout Duncanson’s life:
1821
Robert Seldon Duncanson
is born in Seneca County, New York, into a family of free persons of color from
Virginia.
1838
Duncanson begins his
career as an artist starting a house painting and decorating business
c. 1840
Duncanson moves to the
Cincinnati, Ohio area. First exhibits in 1842. Like many of his peers, economic
stresses forced him to become an itinerant, and he began traveling across Ohio
and Michigan painting portraits, historical, and genre paintings.
1844
On March 19 in Detroit,
Duncanson produces ‘Chemical Paintings,’ in which he would paint over
photographs for wealthy sitters
1848
Duncanson along with T.
Worthington Whittredge and William Louis Sonntag see Thomas Coles’ four
painting series Voyage of Life (1842) exhibited at the Western Art Union in
Cincinnati. They are all deeply moved by the work. This is a significant
turning point in Duncanson’s career as it is from this point forward that he
decides to devote himself to landscape paintings and emulates Cole for the
remainder of his career. Rather than depict the hardships of Black American
life or the political and social animosities of the time, the artist always
turned towards the idyllic, pastoral landscape, depicting messages of hope and
peace.
1850s
Inspired by Cole and
the work of the Hudson River School Duncanson, Whittredge and Sonntag take
sketching tours around the country. Duncanson focuses on the Ohio River Valley.
1851
Duncanson’s work has
drawn the respect of many prominent area abolitionists, including Nicholas
Longworth, a real estate magnate active in the anti-slavery movement. Longworth
commissions the artist to paint the Belmont Murals in his mansion, now the Taft
Museum of Art, Cincinnati. There are 8 paintings that measure roughly 9 x 7
feet each.
1853
Minister and newspaper
editor James Conover commissions Duncanson to paint a scene based on Harriet
Beecher Stowe’s influential abolitionist novel, Uncle Tom’s Cabin (1852).
Duncanson travels with
his colleague William Sonntag to England; they tour quickly through France and
end their ‘grand tour’ in Italy.
1854 – c. 1858
Duncanson works in J.
P. Ball’s studio, retouching portraits, coloring prints, and displaying his
paintings.
1860
The artist sees
Frederic Edwin Church’s Heart of Andes (1859) on its national tour, presented
at Pike’s Opera House, Cincinnati. It inspires him to begin his painting Land
of Lotus Eaters (1861).
1863
During the bleak years
of the Civil War (1861-1865), Duncanson self-exiles to Montreal, Canada, where
his work is widely exhibited and greatly respected.
1865
Duncanson journeys to
England
1866
Duncanson tours
England, Ireland and Scotland. He presents an exhibition that includes Land of
the Lotus Eaters. He meets notable aristocratic abolitionists such as Lord
Tennyson
Winter 1866-1867
Duncanson returns to
Cincinnati. He finds that the vibrant arts community of the city has dissipated
since his departure but he continues to produce artworks that are visually influenced
by his European travels. The painting in the Arader Galleries collection has a
circa date of 1867-68 and depicts Ohio River scenery. Maintaining its roots to
Ohio, the piece was exhibited at the Cincinnati Museum of Art in 1972, painting
no. 35 in the show.
1872
After falling ill with
a seizure, Robert S. Duncanson dies in a Detroit sanatorium at age 51.
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